ID Cabasa
ID.Entity
Yes Records
To cut to the chase, this is a bad album.
It doesn’t mean it is the worst of this
year; on the drivel list it beats many others but only because you
don’t become an award winning producer like ID without knowing one or
two things about what listeners want .So what he basically does is take
sounds we already know, lyrics we already like and serve them in a new
dish.
As a musician though, this album is a muted disaster. Muted,
because you hardly get a sense of ID Cabasa’s voice. Whatever voice he
has is hidden under the drone of poorly thought through tracks on this
ID.Entity album.
Head scratch
Nothing ever removes the notion that
this is a lazy effort. ID’s voice carries a sense that nothing is at
stake and this album doesn’t mean a lot to him, right from his opening
skit. Even though he collabos with almost every artist he could find in
Lagos, he still seems to infect them with this laissez faire mood
that’s quite frankly insulting to the listener who spent money on this
album.
The way he freestyles and drones on
sends a message that this is not something to be taken seriously. One
therefore wonders why this reviewer should take this album any more
seriously than its own singer.
ID Cabasa (better known as 9ice’s
producer) is one of those Nigerian mixers that knows what the public
wants: a little wine, a little women, a little Moet, some
self-affirmation, call yourself the greatest, add the dance beats and
you’ve got a winner.
Those are some of the formulas he brought to what
is obviously a hurriedly put together album – all songs produced and
arranged by him. It says something when the two best songs on your
album - “Gongon Tin So” and “Street Credibility” - are remixes of one
of your artists’ hits.
Why, why, why?
“God Pass Them”, “Alenu” and “Ofe
Owerri” all start with promise and one can see that, if given to a more
serious minded artist, they might have become very powerful songs but
ID just wastes them - refrain after refrain and cliché after cliché.
The choruses are nothing but jokes.
Especially as they degenerate after the
“Street Credibility” remix, many of the tracks are completely
forgettable and it takes a lot of effort to even keep listening to
them.
“Who No Know Make E No” with Lord of Ajasa (whose talent I have
always questioned), “Ere La Wa” with Seriki Sulaiman and G Dog, “It’s
Alright” with Ikechukwu and “Under rated” with Kayefi, Monimo and Eva
are songs that are so massively under-prepared that they should be
banished from the airwaves.
Helping Hand
That said, “Ofe Owerri” featuring Kage
is a song that will have you dancing and might have been a classic if
the producers had taken their time to handle it with the care it
deserves. “Alujo Repete” is another very beautiful song because of
Banky W.
Never one to do half measures, Banky’s voice and lyrics are a
revelation, drawing the listener in and keeping attention. This R&B
song is a gem on this album and ID should be grateful to Banky for this
flash of brilliance. By the way, “Gongon Tin So” is another classic –
well produced and well delivered.
Songs like these give the listener a
sense that this album might grow on you if you give it more than one
listen. However, it gave me no good reason to sit through the torture a
second time. Life is too short. If you decide to undertake this painful
journey more than once, I can only wish you luck.
GRADE - P7


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